Screenwriters Taxonomy

Inspired by the biological classification system of the Linnaean taxonomy, screenwriter Eric R. Williams developed the Screenwriters Taxonomy in 2017 to create a common language of creative collaboration for filmmakers.[1]  Williams’ central thesis in The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling is that the term “genre” is used so broadly to describe films that the modern use of the word has become meaningless.[2]  The Screenwriter's Taxonomy proposes seven categories for discussing the creative process of telling cinematic stories.[3]

  1. Type [4]
  2. Super Genre [4]
  3. Macrogenres [5]
  4. Microgenres [6]
  5. Voice [7]
  6. Pathway [8]
  7. Point of View [9]
  1. ^ Williams, Eric R. (2018). “Episode #3: Movie Genre: It's Not What You Think.” In How to View and Appreciate Great Movies. The Great Courses / Audible.
  2. ^ Williams, Eric R. “The Need for a Road Map.”  In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 3–12. New York, NY: Routledge, 2018.
  3. ^ Eric., Williams (2017). Screenwriters Taxonomy. Focal Press. ISBN 978-1-351-61066-7. OCLC 1006975143.
  4. ^ a b Williams, Eric R. “Movie Types and Supergenres.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 15–46. New York, NY: Routledge, 2018.
  5. ^ Williams, Eric R. “Macro Genres and Micro Genres.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 47–87. New York, NY: Routledge, 2018.
  6. ^ Cite error: The named reference :2 was invoked but never defined (see the help page).
  7. ^ Williams, Eric R. “Voice.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 101–125. New York, NY: Routledge, 2018.
  8. ^ Williams, Eric R. “Pathway.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 126–142. New York, NY: Routledge, 2018.
  9. ^ Williams, Eric R. “Point of View.”  In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 143–157. New York, NY: Routledge, 2018.

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